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The Meeting of
Performance
The Nude Muse
Vanessa Beecroft: Performances 1993-2003
Vb-0836: Vanessa Beecroft: Performances Regarding Vb-50:
Since the middle of the 1990s,
Vanessa Beecroft
has staged performances that use naked and
stylized female bodies as tableaus. In the case of this work from the year 2002,
created in Sao Paulo, the determining stylistic elements chosen for the staging
amount to a uniformed coloring of the flesh and the wearing of wigs. These refer
to the social content of advertising images—the different skin tones being
reminiscent of Brazil’s multicolored society. That also echoed here are utopian
visions on the cloning of bodies is no less than deliberate. But the
performances never abandoned the idea of this being a space meant for art.
Through the absence of anything really happening over the course of the
performance, the act of exhibiting and the voyeuristic watching become
increasingly secondary. Even though
Vanessa Beecroft
works with real bodies, in the end she produces only body images. Works of
photography—stills—are the evaluating medium of her performances.
--Rudolf Frieling (Media
Art Net) Also See:
The Explicit Body in Performance A great survey of the 1980s
performance art scene, the era of Annie Sprinkle, Karen Finley, Carolee
Schneeman, even Sandra Bernhard and RuPaul. Scheider's book is both personally
compelling and theoretically rich. She was obviously in New York City for the
80s, catching the downtown performances that launched a thousand Jesse Helms
speeches. Wonderful observations from the front line and the front row, a
perspective too often missing from academic works about performance. Schneider
is also an expert guide through the theoretical precedents for the body as
stage; the book offers original and relevant readings of Walter Benjamin, Judith
Butler, and Jaques Lacan. Explicit Body is illustrated with a terrific
photographs, invaluable documentation of a vital and dynamic period.
Erotic Art & Photography Books
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